This shot was far and away the most technically demanding shot in Hellbent
So here’s how we managed it.
Even from the animatic it was pretty obvious it was going to be hard. The camera was moving dynamically past an animating background with a SFX element in focus.
It was pretty clear to me this shot was going to need to be partly or fully 3d.
We’ve used 3d reference in the videos before. But this was the first time it would be IN the actual video, so I needed to convince Ben
it could be done and blended in a way that wouldn’t stand out awfully against
Kressent’s beautiful backgrounds.
I was able to get started on this shot pretty early but that turned out to be a double sided sword. I had time to try things but I didn’t have character animation or even final background reference until much later.
So I started blocking it out in 3d.
(old bg colors from the con preview)
Matching the 2d truck and van in 3d would have been near impossible, so I opted to use the 2d flash asset we already had.
Then the flash asset match moved manually to the 3d reference.
The shot was slightly re-timed from this version
(rendering the background to a video format flash can play turned out to be a real pain)
Next up was set dressing
Heilos got me a ton of nice little assets to throw around the scene
and starrrrsssss
I used blender and cycles for rendering. Lots of janky tricks. but here’s the main one for getting alpha textures to work nicely on the 2d billboards.
For weirdos who are into that kind of thing.
Then it was just a matter of animating the Fire moving through a windscreen and a complex 3D camera move.
Easy!
At this point I had the 3d render of the background
And a folder of swf files for each element in the shot. (using PBnDumbexport)
And it was up to AE to glue all this stuff together
Over all I’m pretty happy with how this shot turned out, few problems, some I didn’t even notice until doing this write up.
Kressent was literally killing herself with backgrounds so there was actually another shot that used this 3D background
software used flash cs6, after effects cc,
blender 2.7
Here’s a discord I’m on a lot if you have any questions:
making silly comics is my way of dealing with stuff, so here’s something that i’ve been thinking ‘bout ever since i saw Hellbent (& also something that i hope to God will Never be canon haha <:’D)
OKAY some MSA Hellbent things that I have to talk about
THE ENTIRE MYSTERY AND SHIROMORI CONFRONTATION
BECAUSE THIS
is like Mystery being caught in the act of cheating. in a relationship, friendship, power contract, or whatever his history was with shiromori-
she even blushes hell hath no fury like a woman scorned
From what we can tell of the flashbacks
They had a pretty good relationship. With her name meaning “white Forest” and the difference of the state of the forest in the pictures above and below we can see that Mystery helped her grow powerful.
And then teaming up against the samurai- an ancestor of vivi? (notice the vines around her wrists)
And also note the mask and sword- a dead family member? Either way-
it ended badly for shiromori (the dead vines in the bottom)
Then comes the blank spot of how Mystery came to be with vivi. EVEN mystery just explains it to shiromori with an “ITS COMPLICATED” shrug. Maybe penance for killing the owner of the helmet and sword? All we can do is hope that it gets explained in the next video.
The writing on the bat! (can anyone read japanese?)
Besides that-
Arthur didn’t even try to hang on. he just- lets go out of shock. IM STILL SHOOK
SHOTGUN
RIP shiromori- Uncle Lance doesn’t take treaspassers lightly
All in all im still reeling but i had to write all this down
SpaceAceKaiju Tumblr 